Friday, January 1, 2010

Indie Guide: 10 Essential Tools to Penetrate a Global Market in 2010


Before fully ringing in 2010, let’s reflect on the lessons learned in 2009. With out a doubt ‘09 represented the year of the foreigner. Mainstream acceptance for international musicians peeked in the U.S, which trickled down into global market acceptance. Highlighting this point, in the 2009 Grammy Awards all five nominees for record of the year were associated with foreign countries. So indie musicians, labels, and music professionals, reset the radar as 2010 is the year for global expansion. The obvious question – how? This particular article is geared as a guide for indie level groups, however the advice cuts across all levels. It's insight into aspects that are either taken for granted or not fully identified. So without delay, the 10 essential tools to penetrating a global market in 2010. Follow them from top to bottom and start implementing them immediately.

1. Get an Attorney
For some strange reason attorneys are still classified as “the suits” within the music industry. Debunk this immediately because an entertainment attorney will prove to be the most valuable chess piece on your career board. Why? Besides having the means to infiltrate the industry decision makers whenever necessary, attorneys are also essential in global expansion. Without a doubt, international red tape will arise while attempting to expand a business (ie: your career) across borders. Attorneys are your roadmap in minimizing the financial causalities, and insurance you’re tapping into the correct global market. Also, attorneys have adapted to today’s indie driven market. For attorneys to eat, they’ve got to grow with their artist. The days of teaming with a one hit wonder and banking-in are over; rather it takes sustainable growth and partnership from both parties essentially “in it together.” Finally, attorneys can be effective as your manager as well. This in essence gives you a power piece without paying two parties (ie: attorney & manager). Invest in an attorney on the front end. At some point you’ll need one and it’s better to gain them in the beginning as opposed to the back when it will cost you an arm and leg. Not to mention, an attorney can help you accomplish about 8 of these 10 steps!

2. Get a Passport
This is a no brainier. International growth is 100% impossible without hitting the ground in a target country at some point. Sure, some groups may hit the lottery by tossing out a few free MP3’s that get a listen in Poland, but this doesn’t mean effective growth. It will fizzle, believe me. Get a passport now to set the stage for international tours, promotion, or marketing efforts in the next six months. Remember, passports are not an overnight ordeal so get on it now.

3. Artist Development Plan (A.D.P)
Fore creative thinkers there will be resistance with this step, but you must take a page out of the business playbook. Just as a business follows a business plan, artists should follow an artist plan specifically tailored to their goals. An ADP (Artist Development Plan) helps artists organize a growth path, get goals down on paper, and have an overall game plan to guide when times get difficult. Entertainment attorneys prove a tremendous asset here. They will help you produce realistic goals based on market trends by objectively evaluating your career. Need help, no problem. I do a specific amount each year, or can funnel you to the someone for help.

4. Get Organized. Really Organized. Like Crazy Man Organized!
To gain global success you must first know where you’re going. Global music is different, not by much, but there are several nuances you must learn. Target a country, study the market, know what is successfully, the popular artists, the typical fan base, etc… This takes patience and organization; but when you can lay the information out next to stats on your own band the information is invaluable.

5. Revaluate Your Stage Show
Sadly, stage shows have fallen to the wayside. Compared to the 1960’s, attention to stage performance, creative stage performance for that matter, have been in the toilet; but when expanding overseas this will be a deal killer or deal maker so pay attention. The expectation level for success when expanding markets runs at an all time high, especially for American bands crossing the Atlantic. People expect something different. Do what everyone else does in terms of performance and your dead. Time to re-tune, re-think, and reinvent your stage show to reflect some creative thought.

6. Get a Local Contact
As much as you want to control all aspects of your career you’ve got to let something’s go. Get a local contact. Local contacts help with navigating the unforeseen issues, and further can help gain a foothold with venues, radio, promoters, labels, etc…

7. Focus on Radio
It’s not completely dead! If you’re an immigrating artist, radio is somewhat easy to pierce as opposed to social media outlets. Why? International radio stations are looking for something different, and as a foreign artist you’ve got that something different. Radio is driven by listeners and advertisement, and you can help obtain both. If you’re persistent with stations and willing to participate in on-air interviews, chances are this will attract international stations as they stand to gain from airing unique musicians. This possibly equates to more listeners which spawns higher advertisement rates for the station. More importantly for you, it attracts potential local partners interested in branding opportunities or licensing agreements.

8. Team With Local Talent
Forget about reinventing the wheel and going solo on tour, rather team up with local talent and benefit from their success. Local musicians, if musically compatible, benefit from partnering with international acts because it provides cross-promotional potential. Take advantage of this system and begin researching (Step 4) which acts are well-suited in terms of music and touring schedule.

9. Festivals are Great, Holidays are Better
Many bands view festival season as an opportunity to expand their international appeal. Let’s be realistic for a second, sure festivals are great but it’s also an absolute bitch to be the band selected out of thousands also submitting material for consideration. Another alternative is to identify the local holidays. I’m not talking about mainstream holidays, I’m talking about the local holidays specific to a particular town, city, or national tradition. Penetrate this market and you’ll get authentic fans who will prove to be timeless buyers.

10. Make Sure to Have Product, but Buy Local
Weaving through the international labyrinth is important, but making sure you have product on the other end to sell is what makes it beneficial. Consider this, if you have T-shirt designs, album layouts, or poster mockups, do NOT ship them. Shipping will cost a fortune and customs will be a nightmare so identify local businesses that can fulfill your demands. This will prove less of a hassle and economically beneficial when it’s all said and done.

You can also LEARN MORE HERE

Here’s to 2010

Cheers

Questions or contact: www.frascognamusic.com OR marty@frascognamusic.com
Follow on TWITTER HERE

7 comments:

  1. Very helpful informations for an networker like me who started to set up a global network for promotional collabaration of independent artists.

    Keep up your good work .

    I will be regular reader of your blog.
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  2. This is excellent information, especially as globalization is in the future for my company! I look forward to reading more of your posts!

    Thank you,

    Karen
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  3. Marty, thanks for a good kick-start to the New Year, and I wish you the best of heaven and earth in 2010.

    By the way, PTWalkley's vocal on the Daydreaming tune reminded me right away of Ray Davies.
    ReplyDelete
  4. Hello marty, we are new to linked in and want to get to south by southwest this year, and i know the info you provided with this post
    will def help!!! Thanks and be on the look-out for The Fox Cult this
    year, we have a different sound and a great stage show!!!
    ReplyDelete
  5. This is great advice, but having met countless artists across the globe, I can honestly say I have never known anyone to routinely have (or been required to have) legal representation as it appears a uniquely American protocol that business introductions and contractual negotiations are carried out through lawyers. In Australia that is larely unheard of and lawyers are synonymous with adversarial negotiations and litigation.

    Last year we missed an opportunity in the US because we could not - despite extensive inquiries - find an LA-based lawyer who could 1) do the job we required or 2) do it without requiring up-front fees. Even then, after we decided to proceed with one, we were told we had to have a lawyer from Australia introduce us to the lawyers in the US - sheer insanity!

    So we then narrowed our search down to two reputable music industry lawyers from Sydney, neither of whom had ever done such a thing before nor could assure us that if we spent the money (as we were prepared to do for this) they could be more successful than if I had made the approach directly myself.

    So, as we are still searching for that illusive legal representative, if anyone can recommend us an LA-based lawyer worth their salt and who takes payment on the basis of successful outcomes, please drop us a name or send them our way!

    Thansk for the discussion.

    Matilda Bawden
    Director, Grace Bawden Promotions
    gracebawdenpromotions@gmail.com
    ReplyDelete
  6. Hello Marty,

    Thank you for the great write up. It was worth reading. The closing is a definite knock out. I'm glad that you not only offer advice but, worth a lot but free. Thank you

    My name is Crystin Stepehens. I'm Autralian, living in Lusaka, Zambia but planning to relocate back home.

    I'm currently working with a Zambian born Hip-Hop artist by the name of 'Crisis Mr. Swagger.'

    We have managed to get two of his music video's onto MTV Base over here and his album is also available on iTunes, Amazon and other places.

    We wish to break into the global market and would love to establish good relations with representatives as the artist develops.

    To contact the artist, please check out his website http://www.diamondchainmusic.com

    FACEBOOK: http://www.facebook.com/contactcrisis

    iTunes: http://itunes.apple.com/us/album/mr-swagger/id336652766

    Amazon: http://www.amazon.com/Mr-Swagger/dp/B002TKH4H6/ref

    I look forward to hearing from you guys and especially look forward to meeting you in person.

    Kind regards,

    Crystin Stephens

    Email: diamondchaincs@gmail.com
    ReplyDelete
  7. It will be great to watch American Music Awards, i have bought tickets from
    http://ticketfront.com/event/American_Music_Awards-tickets looking forward to it.
    ReplyDelete